In my sabre lesson this morning my student and I explored some options from the invitations in 3rd and in 4th. Like a feint, these actions (hopefully) encourage an opponent to attack where we want them to. Baseline, what we’re setting up is a parry-riposte. Against a newer, less experienced fencer, this might be enough, but a more advanced fencer will see the trap and have some idea where one might go with it. There are, happy to say, more options from this simple set-up than meet the eye.
Student’s Invitation in 4th
After the basic parry-riposte set up, a solid next step is an indirect riposte—this requires us to hold the parry before making the riposte. It is best used when our opponent is too quick to parry. For example, if we have made a few cuts to the head, even probing, or better yet from this same set up but slightly out of distance, an opponent might expect us to cut head and so they assume parry 5. If we see them do that once or twice, we can invite, parry, wait a sec, then as they preemptively parry head we strike in an open line. One of the safest strikes is to the lead arm, thrust or cut, as this keeps us back a bit and puts more steel between us and the opponent. One can, though, attack almost anywhere so long as one covers on recovering from the lunge.
Another option is a compound parry-riposte. This is closely related to the indirect riposte as it assumes similar conditions. Where the latter hesitates, the former feints. Following the example above, if one invites in 4th and parries 3rd as the opponent takes the bait, one then might feint head to cut arm, flank, or chest. The feint might be made to any line, but works best against a known proclivity. Here, again, some probing actions or false attacks can sometimes tell us which parries an opponent is quick to take.
These are all defensive responses set up via second intention. However, one question today was can one make a counter-attack from this set-up. Yes, and, no. At its root, invitations set up defensive responses, but this said there are ways to include a counter-offensive action given certain conditions. This part is critical. It is possible to make oppositions cuts into the attack from an invitation. These are similar to what we call “bearing” in Insular broadsword. Using the same example, from 4th, should your opponent attack a little out of distance or with a poorly extended arm—either one provides a bit more tempo to act—then from 4th one would but cut in such a way that one simultaneously closes the line as one lands. [1] From 3rd, one would cut across closing the inside line and landing at the same time (often this means striking the arm). It is not easy to set up as it requires the opponent to make specific mistakes, but if they do, this is a fun conclusion to the invitation.
Student Initiated Attack–Shutting Down the Trap
When we switched roles and I adopted the invitation, my student had a chance to explore ways to shut down the trap. Timing, speed, and choice of action all meet in a tight place when we succeed. Using the false-edge, for example, I did not expect, and it succeeded beautifully. Many fencers will be unprepared for that. It can made from farther away, again limiting the danger faced by the attacker.
The simplest option in springing the trap is to attack knowing they will parry-riposte, and then making one’s own counter parry-riposte. I didn’t want to complicate things, but in that counter parry-riposte one can do much the same as the person inviting: one can use an indirect riposte, compound parry-riposte, even an opposition parry and cut if conditions allow it. Naturally, one’s feet are critical in success. If, for example, my student lunged her attack, then I would take a step back to parry. If she recovered quickly, I would have to lunge to riposte; if not, I might do it from standing. Regardless, we need enough room–and thus time–to act.
We also discussed the difference between an obvious invitation, e.g. taking 4th, and an invitation disguised to look like either incompetence or inattention to the line. For the latter, one might invite in 4th barely exposing the outside line of the sword-arm. This can appear like a lazy or untutored guard. One can feign being tired and thus sell the lazy guard too. All about selling it, a major aspect of tradecraft. [2]
If we want to invite in similar fashion in 3rd, we might hold that guard a bit too far out exposing the inside of the wrist. Many of the same options we covered with an obvious invitation apply here too, but this style is more likely to work against a fencer farther along in their training.
When we switched roles, one effective and less risky attack she made was to thrust to the inside wrist when I adopted a lazy 3rd, allow me to parry, and then thrust with opposition (usually with an advance-lunge or redoublement). If I adopted a lazy 4th, she could feint to the outside, and when I parried in 3rd cut around and cut with opposition to the arm or chest, or, make a bandolier cut and step a little back and to the right. Getting good extension on the cut—which keeps one safer—means having enough distance to extend, thus moving more back and right versus in and right.
Tactical Application
This lesson was a mix of types–we covered technique, options, and tactics. Not every lesson need do this, and in fact many should not. Today I was working with an extremely gifted fencer, one with a deep foil background, and with whom I’ve been working sabre for several years. Even today, though, in the last drill she realized she was pulling her chest cut, so we stopped and spent the last ten minutes of our time just working on getting proper extension on her cuts.
The tactical considerations for using invitations should derive from whatever intel we’ve been able to gather about our opponent. Sometimes we have next to no time–we meet someone new in the ring or on the strip and have to triage our choices via testing, probing, and false attacks. Sometimes we have had a chance to watch them fence and see what they typically do, how they respond, and larger picture considerations–are they calm? Nervous? Excited? More defensive? Offensive?
Considerations of another fencer’s proclivities is vital, because no matter how sound or expertly an action might be, it might be the wrong one to use against that opponent or at that time. For example, if my favorite action were to invite in 4th, but my opponent is likewise a defensive fighter, then we’re as likely to run out the clock as anything else. Boring. If, however, I’ve made some assessments, have some idea of how they play, then I can pick actions which might work better. If they’re more defensive, then I’ll start with the more offensive options in the tool box.
This may seem obvious, and it is, but it’s easy to focus on something to our detriment. I know that more than once coming up I had learned a new, cool maneuver and couldn’t wait to try it out, but in my zeal tried it when there was next to no chance it would work. I have been extremely lucky to work with awesome coaches, and they would ask me, post bout, why I had tried it. They knew I was working on it, but had to remind me that not every action will work in every instance.
In terms of large, obvious invitations, they can work super well, but if they’re not–don’t use them against that opponent. Today, for example, my student is far faster than I am. Even playing the invitee role I struggled to parry some of her cuts; I know how to compensate for that, but even so had our lesson been a bout I would have realized quickly that obvious invitations were a super bad idea in fighting her.
Use the right tool for the job.
NOTES:
[1] Opposition Cuts: I do not spend a lot of time on them, but they do exist, even for systems that seemingly don’t include them. Where bearing doesn’t work well with a curved guard, it works super well with a basket-hilt’s flatter guard top.
Within a Radaellian context, opposition cuts normally mean making one’s molinelli in such a way that they simultaneously strike and close the line.
[2] Tradecraft: a universal of fighting, tradecraft refers to all the intelligence gathering and mind-games we play with an opponent. In addition, it is a game we play with officials too.
Capitale Escrime Historical Fencing 